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Florence Turner with a nice hat in "When Persistency and Obstinacy Meet" (1912)
Silent Hall of Fame is looking for contributors to create an original biography for this star.
Florence Turner (January 6, 1885 – August 28, 1946) was an American actress, who became known as the "Vitagraph Girl" in early silent films.
Born in New York City, she was pushed into appearing on the stage at age three by her ambitious mother. Turner became a regular performer in a variety of productions.
In 1906, she joined the fledgling motion picture business, signing with the pioneering Vitagraph Studios. Turner made her debut in Cast Up by the Sea (1907).
At the time, there were no stars, unless an already famous stage star made a movie. Performers were not even mentioned by name. Long, drawn out screen credits were not thought of. There was nothing but the name of the company and the picture. As the content of movies evolved from simple incidents, or situations, into definite stories, some of the heroes and heroines were conceded a vague identity, such as the "Edison Girl", etc.
Though she was known only as the "Vitagraph Girl" in the early motion picture shorts, Turner became the most popular American actress to appear on screen (at that time still dominated by French pictures, especially from the Pathe and Gaumont companies). Her worth to the studio, as its biggest box-office draw, was recognised in 1907 when her pay was upped to $22 a week, as proto-star plus part-time seamstress. It was somewhat less than the male leading players, especially those with stage experience, particularly the super-popular Maurice Costello. In March 1910, she and Florence Lawrence became the first screen actors not already famous in another medium to be publicized by name by their studios to the general public.
Later that year, Florence was paired several times opposite heartthrob Wallace Reid, on his way to stardom. But with the rise of more stars such as Gene Gauntier and Marin Sais at Kalem Studios, Marion Leonard and Mary Pickford at Biograph Studios, and Florence Lawrence (Biograph, moving to IMP in 1910), Florence Turner was no longer quite as special. By 1913, she was looking for new pastures and left the United States accompanied by longtime friend Laurence Trimble, who directed her in a number of movies. They moved to England, where she and Larry began performing together in London music halls.
She sometimes wrote screenplays and directed her own movies, including a number of comedies. She also organized her own production company, Turner Films, for which she made more than thirty shorts.
Turner entertained Allied troops during World War I. She returned to the U.S. after the Armistice, but was not as successful as before. In 1920, she again went to England, where she remained until moving to Hollywood, virtually forgotten, in 1924.
By then, she was thirty-nine years of age and her starring days were long behind her. She continued to act in supporting roles into the 1930s.
In 1928, she acted in a minor role on Broadway in Sign of the Leopard, which ran for thirty-nine performances. Turner was placed on the payroll at MGM by Louis B. Mayer in the 1930s, but was limited in the assignments offered. She mostly played bit or small parts and worked as an extra.
She later moved to the Motion Picture Country House, a retirement community for the industry in Woodland Hills, California.
After appearing in more than 160 motion pictures, Florence Turner died at 61 in Woodland Hills.
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Florence Turner in "All Dolled Up" (1921).
Florence Turner and Fred Malatesta in "All Dolled Up" (1921).
Florence Turner and Fred Malatesta in "All Dolled Up" (1921) #2.
Florence Turner in "All Dolled Up" (1921) #2.
Florence Turner in "A Tale of Two Cities" (1911).
Florence Turner in "A Tale of Two Cities" (1911) #2.
Florence Turner in "A Tin-Type Romance" (1910).
Florence Turner in "The Road to Ruin" (1928).
Florence Turner in "She Cried" (1912).
Florence Turner and Maurice Costello in "When Persistency and Obstinacy Meet" (1912).
Florence Turner and Henry Edwards will have a house like this one day, so he says in "East is East" (1916).
Florence Turner learns about the successful business of Henry Edwards in "East is East" (1916).
Florence Turner remembers happier days in "East is East" (1916).
Florence Turner takes a moment to assimilate the horrible truth in "East is East" (1916).
Florence Turner looks unsuccessfully for Henry Edwards, who has left without a trace in "East is East" (1916).
Florence Turner is Titania, the queen of the fairies in "A Midsummer Night's Dream" (1909).
Florence Turner applauds vigorously as the audience laughs at Buster Keaton's tight suit in "College" (1927).
Florence Turner seems worried after all the audience left in "College" (1927).
Buster Keaton and Florence Turner try to stay dry in "College" (1927).
Buster Keaton can't keep both Anne Cornwall and Florence Turner dry under one umbrella in "College" (1927).
Anne Cornwall doesn't want to know Buster Keaton until he changes his priorities as Florence Turner looks on in "College" (1927).
Florence Turner dressed as a man causes a woman to fall in love with her in "Twelfth Night" (1910).
Florence Turner in a nice portrait.
Florence Turner - "The best portrait".
Florence Turner - Vitagraph player.
Florence Turner - Very Sincerely.
Ann Cornwall, Buster Keaton and Florence Turner in a poster for "College" (1927).
Florence Turner - portrait.
Florence Turner and Buster Keaton in "College" (1927).
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